A grid of roughly 20 book covers displayed in three rows against a muted watercolor background in blues, greens, and grays. Titles visible include: My Dreadful Body by Egana Djabbarova; The Dark Maestro by Brendan Slocumb; Curious Cats and Fantastical Felines by Willow Winsham; Ruins, Child by Giada Scodellaro; My Documents by Kevin Nguyen; Lives of the Saints by Nancy Lemann; Like This, But Funnier by Hallie Cantor; The Penguin Book of the International Short Story edited by Rabih Alameddine and John Freeman; Day Care by Nora Lange; The Infinite Sadness of Small Appliances by Glenn Dixon; Honey in the Wound by Jiyoung Han; The Witch by Marie NDiaye; Hexes of the Deadwood Forest by Agnieszka Szpila; Love & Other Monsters by Emily Franklin; London Falling by Patrick Radden Keefe; Perspective(s) by Laurent Binet; Ghost Roots by Pemi Aguda; and Yesteryear by Caro Claire Burke.

New Release Radar – April 7, 2026

It’s been a good week for strange and wonderful books. We’ve got a translated Polish novel that Olga Tokarczawa called “a torpedo” (she’s not wrong), some amazingly unhinged cover art, and also: cats. Obviously.

Pull up a chair.

Book cover for Yesteryear by Caro Claire Burke

Yesteryear: A Novel

Caro Claire Burke

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Book cover for London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth by Patrick Radden Keefe

London Falling: A Mysterious Death in a Gilded City and a Family’s Search for Truth

Patrick Radden Keefe

From the bestselling, prize-winning author of Say Nothing and Empire of Pain, a spellbinding account of a family devastated by the sudden death of their nineteen-year-old son, only to discover that he had created a secret life which drew him into the dangerous criminal underworld that lies beneath London’s glittering surface

In the early morning of November 29th, 2019, surveillance cameras at the headquarters of MI6, Britain’s spy agency, captured video of a young man pacing back and forth on a high balcony of Riverwalk, a luxury tower on the bank of the river Thames. At 2:24 a.m., he jumped into the river.

In a quiet London neighborhood several miles away, Rachelle Brettler was worried about her son. Zac had told her that he had gone to stay with a friend, but then he did not come home. Days later, a police car pulled up and two officers relayed the dreadful news: her son was dead.

In their unbearable grief, Rachelle and her husband, Matthew, struggled to understand what had happened to Zac. He had his troubles, but in no way seemed suicidal. As they would soon discover, however, there was a lot they did not know about their son. Only after his death did they learn that he had adopted a fictitious alter-ego: Zac Ismailov, son of a Russian oligarch and heir to a great fortune. Under this guise, Zac had become entangled with a slippery London businessman named Akbar Shamji, and a murderous gangster known as “Indian Dave.” As the Brettlers set about investigating their son’s death, they were pulled into a different and more dangerous London than the one they’d always known, and came to believe that something much more nefarious than a suicide had claimed Zac’s life. But to their immense frustration, Scotland Yard seemed unable—or unwilling—to bring the perpetrators to justice. 

In a bravura feat of reporting and writing, Patrick Radden Keefe chronicles the Brettlers’ quest, peeling back layers of mystery and exposing the seedy truths behind the glamorous London of posh mansions and private nightclubs, a city in which everything is for sale, and aspirational fantasies are underwritten by dirty money and corruption. London Falling is a mesmerizing investigation of an inexplicable death and a powerful narrative driven by suspense and staggering revelations. But it is also an intimate and deeply poignant inquiry into the nature of parental love and the challenges of being a parent today, a portrait of a family trying to solve the riddle not just of how their son died, but of who he really was in life.

Book cover for Transcription: 
A Novel by 
Ben Lerner

Transcription: A Novel

Ben Lerner

From “the most talented writer of his generation” (The New York Times Magazine), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store—or to erase—our memories.

The narrator of Ben Lerner’s new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend, Max. Thomas is a giant in the arts who seems to hail “from the future and the past simultaneously” and who “reenchants the air” when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house with no recording device, a fact he is mysteriously unable to confess.

What unfolds from this dreamlike circumstance is both the unforgettable story of the triangle formed by Thomas, Max, and the narrator, and a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Haunted by Kafka (there are echoes of “The Judgement” and “A Hunger Artist”), but utterly contemporary, Lerner combines trenchant insight with lyric mystery. Ultimately, Transcription demonstrates what only a work of fiction can record.

Book cover for Love & Other Monsters: 
A Novel by
Emily Franklin

Love & Other Monsters

Emily Franklin

In the stormy, scandalous summer of 1816, daring eighteen-year-old Claire Clairmont changed the course of literature forever. But then—unlike her stepsister Mary Shelley—she was forgotten, until now.

During the dangerous storms of The Year Without Summer, a group of famous young writers gathered at a mansion on the shores of Lake Geneva, Switzerland. Brilliant Mary Wollstonecraft Shelley, her fiery fiancé Percy Shelley, the famously promiscuous Lord Byron, and John Polidori, his sexually tormented personal physician. At the group’s center was Claire Clairmont, Mary’s impressionable, clever, and dangerously loyal stepsister.

Those months of desire, betrayal, and creative passion gave the world the works of Frankenstein, the modern vampire, and the mythic image of these Romantic literary giants. In this intense and propulsive story of love, lust, art and betrayal Claire tells her story, trying to solve the mystery of why she was all but erased from history.

Claire—herself a writer—is desperate to free herself from the uncomfortable role she plays in her sister’s marriage in London. Fueled by Jane Austin’s romantic novels, and believing love offers freedom, Claire begins an affair with celebrity Lord Byron and convinces Mary and Shelley to follow him to Switzerland.

With the threat of paparazzi lurking nearby, Claire’s intimate connection to each member of the celebrity group grows more complex. Her journey of self-discovery leads her to document everyone’s secrets in her journal, and when climate disaster causes food shortages, Claire learns to forage, determined to prove her worth in a world built by and created for men.

The real Claire Clairmont poured her love, life, and razor-sharp wit into her pages, yet her journal from 1816 is curiously missing and each member of the group had a reason to take it.

With searing relevance to our here and now—of celebrity worship, climate disaster, of complicated femininity, Love & Other Monsters is the untold origin story of Frankenstein, a feminist reckoning of sisters, survival, and the creation of monsters—both those on the page and those who walk among us.

Book cover for Hexes of the Deadwood Forest: 
A Novel by 
Agnieszka Szpila, Scotia Gilroy (Translated by)

Hexes of the Deadwood Forest: A Novel

Agnieszka Szpila, Scotia Gilroy (Translated by)

An explosive, jaw-dropping debut about a woman who loses her job as an oil company CEO after she’s filmed having sex with a tree in her sleep, a calamity that unravels her mind, spiraling her through history until she’s united with a centuries-old coven of ecstatically revolutionary women.

“You’re holding a torpedo of a book in your hand. Take a seat and get comfortable. This novel’s energy, humor, and rebel spirit will awaken your mind and change your way of thinking.” —Olga Tokarczuk, 2018 Nobel Prize Winner, Man Booker International Prize Winner, finalist for the National Book Award

Anna Frenza hates the tyrannical tree huggers and the idiotic eco-warriors—after all, she’s the CEO of Poland’s biggest oil company. But then she finds herself in a trance, sleepwalking into the woods and making love to a tree, manically—all caught on camera. Her career ends and, in the fallout, she discovers her husband’s disturbing secret. Her mind splinters until she is no longer Anna Frenza, CEO. Now—whether by delusion or possession of spirit—she lives in the Duchy of Nysa, a medieval province ruled by the Catholic Church.

From her psychiatric bed, Anna falls in with Mathilde Spalt, leader of the Earthen Ones—a congregation of women who live in the woods and reject all patriarchy, instead engaging in ecstatic, sensuous worship of Mother Earth. Through Mathilde, Anna learns to love the forest, preaching and practicing the emancipatory rituals of the Earthen Ones . . . until the Church decides to fell the forest and all the women within it.

Bold and entirely unexpected, Hexes of the Deadwood Forest is a collective rebellion and a collective orgasm, the death knell to the elevation of the erect. Take hold of your seat; patriarchy is coming to an end.

Book cover for The Witch: 
A Novel by 
Marie NDiaye, Jordan Stump (Translated by)

The Witch: A Novel

Marie NDiaye, Jordan Stump (Translated by)

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE

In a small, sleepy town, a mediocre witch, in a mediocre marriage, tries to pass on her gifts to her twin daughters, who, it becomes immediately apparent, have skills far beyond her own.

“The Witch is classic NDiaye. Taut, spellbinding and strange, it unfolds with the disturbed logic of a fever dream.” —The New York Times

The Witch is Marie NDiaye at her most dazzling. In this simple, startlingly powerful novel, NDiaye lays out her central themes: familial secrets, power, shame, and liberation. NDiaye is one of the greats—her novels are mesmerizing, wholly singular, completely unforgettable.” —Katie Kitamura, author of Audition

Lucie comes from a long line of witches, with powers passed down from mother to daughter. Many of them have hidden or repressed their gifts to appease disgusted or fearful men. But against the wishes of her controlling husband, Lucie initiates her twins into their family’s peculiar womanhood when they reach the age of twelve. In a few short months, Maud and Lise are crying rich crimson tears, their powers quickly becoming more potent than their mother’s, opening them to liberation and euphoria beyond what Lucie and her foremothers ever considered.

Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without looking back, children fly the nest, laying bare the tenuous threads of family that have long threatened to snap. With simmering tension and increasing panic, NDiaye’s latest novel in English captures the terror and precarity of motherhood and marriage, and the uncertainty of slowly realizing that your progeny are more dangerous—to the world and to your heart—and freer than you ever could have dreamed.

Cover for Ruins, Child by Giada Scodellaro

Ruins, Child

Giada Scodellaro

Winner of the 2024 Novel Prize, Giada Scodellaro’s Ruins, Child is an irreducibly original debut hybrid novel—a startlingly beautiful and unclassifiable book

Centered on six women sharing a space in a derelict apartment tower and set in what maybe the future, Ruins, Child is remarkable for its sweep, wit, and the sway of its liquid mosaic narrative, powered along by snatches of speech. “The woman is old, I hear children saying nearby, not in the way we consider all adults to be old, but really old, ancient, she is endless.” Using the lenses of urban infrastructure, botany, folklore, choreography, and collective listening, Ruins, Child creates a new ethnography of place and an ode both to communal ruins and to resistance. In the vivacity of their telling, Scodellaro’s heroines obscure authority, setting afoot a radical freeing-up. “Looseness, that is the thing people fear in a person (in women) and in objects.”

Book cover for My Dreadful Body by
Egana Djabbarova, Lisa C. Hayden (Translated by)

My Dreadful Body

Egana Djabbarova, Lisa C. Hayden (Translated by)

“A potent portrait of illness and gender oppression . . . This passionate and lyrical work packs a stinging punch.”—Publishers Weekly

A dazzling debut novel about a young woman’s vexed coming of age in a traditional Azerbaijani community in Russia, grappling under the weight of Muslim patriarchal norms and a debilitating neurological condition. The mysterious affliction leaves her unable to control her muscles, plagued by pain and speech disorders, defying diagnosis. Addressing each body part with the scrupulousness of a medical researcher, the narrator explores memories, traditions, and taboos related to her physical self. In the process, a woman once destined for the role of a beautiful marriageable daughter comes to be perceived as damaged goods. With verbal elegance and poetic power, Egana Djabbarova unveils a hidden world in which illness unexpectedly facilitates her liberation. Her book stands in the proud tradition of confessional feminist writers like Sandra Cisneros, Arundhati Roy, Audre Lorde, Toni Morrison, and Jamaica Kincaid.   

The Dark Maestro

Brendan Slocumb

His cello made him famous. His father made him a target.

Curtis Wilson is a cello prodigy, growing up in the Southeast D.C. projects with a drug dealer for a father. But through determination and talent, and the loving support of his father’s girlfriend, Larissa, Curtis claws his way out of his challenging circumstances and rises to unimagined heights in the classical music world—even soloing with the New York Philharmonic.

And then, suddenly, his life disintegrates. His father, Zippy, turns state’s evidence, implicating his old bosses. Now the family—Curtis included—must enter the witness protection program if they want to survive. This means Curtis must give up the very thing he loves the most: sharing his extraordinary music with the world. When Zippy’s bosses prove too elusive for law enforcement, Curtis, Zippy, and Larissa realize that their only chance of survival is to take on the criminals themselves. They must create new identities and draw on their unique talents, including Curtis’s musical ability, to go after the people who want them dead. But will it be enough to save Curtis and his family?

A propulsive and moving story about sacrifice, loyalty, and the indomitable human spirit, The Dark Maestro is Brendan Slocumb at the height of his powers.

Book cover for Curious Cats and Fantastical Felines: 
The Cat in Folklore, Myth, and Legend by Willow Winsham

Curious Cats and Fantastical Felines: The Cat in Folklore, Myth, and Legend

Willow Winsham

Curious Cats and Fantastical Felines gives an intriguing insight into the historical relationship between cats and humans by exploring the folklore, myths, and legends that relate to cats from around the globe.

For thousands of years, cats and humankind have been inextricably intertwined. From the Ancient Egyptian Goddess Bastet to the cat demon Yokai of Japan, people have been fascinated, enthralled, and horrified in equal measure by everything feline-related.

Throughout history, cats have been revered and reviled and everything in between.

Worshipped as divine, blamed for plague and pestilence, or labeled as the demonic companions of witches—whether fair or foul, no other animal has attracted such consistent attention, a fact strongly illustrated by the vast number of myths, legends, sayings, superstitions, and tales that exist regarding these enigmatic creatures.

Today, mankind is no less under the feline thrall, with cat memes, videos, and celebrity cat accounts numbering among the highest-ranking entertainment across the internet. Unknown to many, this cultural fascination has a deep and rich history than spans continents and millennia. Discover the roots of this age-old captivation with our feline counterparts and why they have been loved—or otherwise—by so many.

Book cover for Lives of the Saints by
Nancy Lemann, 
Geoff Dyer

Lives of the Saints

Nancy Lemann

Claude Collier made the world seem kind,” says Louise Brown, -beginning a tale of Violent Love, Breakdowns, Moods, and Felonious Drunkenness that floats from one lush, green, sweltering New Orleans evening to another. Returning home after four years of college in New England (“Among the Yankees I have known,” she says, “I only met one who had the grace to apologize to me about the War”), Louise bemusedly finds herself reimmersed in New Orleans society’s “wastrel-youth contingent.” At the center of this gin-fueled hurricane is Claude, rumpled, accident prone, supremely sweet—and desperate. For Claude, Louise is his steadying focus; for Louise, Claude is the only man who can break her heart “into a million pieces on the floor.”

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